NO SNOBS ALLOWED
Nicholas Harper • March 23, 2021
It’s true, sometimes the arts can be a bit stuffy and dare I say, even elitist. I’m sure we’ve all had that moment of cringe when reading some arts related article talking about a such and such painting or sculpture that sold at auction in the millions and when we look at the art that fetched the money and notoriety, the first words that come to our mind are “Is that all there is?” In such instances one can’t be blamed for feeling a bit out of the loop, like maybe the joke wasn’t for us or maybe we just had to be there.
Or perhaps you’ve experienced the cold shoulder and raised nose of an especially snooty gallery attendant while visiting a gallery so pristine, and dare I say, sterile, that one could both eat off the floor while simultaneously conducting open heart surgery on it. Believe me, I’ve been there. And as open minded as I try to be when it comes to the arts, nothing sets me off more than a gallery that screams, “you’re not one of us.”
Luckily we’re blessed in Minneapolis in that that’s just not how we roll. I think you could walk into almost any art gallery fresh off the street and find yourself being greeted and welcomed with open arms. Perhaps it’s our midwest charm, the fact that we actually care about each other or perhaps it’s because we don’t ever take ourselves too seriously in this neck of the woods.
Whatever the case may be, that doesn’t mean that the arts can’t be intimidating, especially to someone new. I know I deal with that quite a bit at the Rogue Buddha Gallery. Often times it comes in the form of a friend being dragged in by another friend as they walk by, the one really wanting to see what’s up inside, the other a bit timid and cautious, often times exuding an aura that screams “I don’t want to intrude or maybe this is private space.”
It’s pretty obvious when this is the case and when it happens I go out of my way to make sure they feel welcome and free to roam and ask questions all the while maintaining a bit of space so as to not hover. I’m available, but I’m not pressuring or smothering.
In this weeks episode of Art Wunderful, Katie and Blaine Garrett of Mplsart.com shared their views on buying art for the first time and the value of brick and mortar galleries. A lot of what they said boils down to the simple fact that art and experiencing it and even buying it, should be fun. Going to galleries is a unique opportunity to do something free in a setting that is unlike any other. It’s a great time to meet new people and to do something different, especially if you’re new to the scene.
And buying art, well, it should be equally fun and free of pressure or complications. The only real question that one has to ask about a piece of art is whether or not they like it. And if they find it moves them and speaks to them, well then, they should consider living with it. The more one is exposed to living with art, the more one is likely to see how it effects their lives, in a good way. But really, there is no pressure to like anything or to buy it for that matter. But for those who do, the benefits are sure to make themselves known.
And if you are new to the arts, it’s always great to have a friend who can help guide you or introduce you to things. Knowing what to expect before going to a gallery opening for instance, can really help prime that potential for fun and engagement. Knowing a bit about the gallery, it’s history or the artist on exhibit can all help fuel what is sure to be a great time.
Now perhaps you might be thinking that you don’t have any friends that can help you navigate the local art scene. Well, you’re in luck as that’s exactly how Katie and Blaine approach their website mplsart.com. It’s meant to be your friend in the art scene. A visit to their website will let you know where the galleries are, when they’re open and what to expect when you go by providing information about the various exhibits. You can also visit the gallery websites directly via their page as well if you want to do a real deep dive into that particular venue.
We talk all about this in this weeks episode of Art Wunderful. I hope you can take some time to listen HERE or wherever you listen to podcasts. I also hope to see you at the Rogue Buddha and out and about on the art scene in the near future! Cheers!
Or perhaps you’ve experienced the cold shoulder and raised nose of an especially snooty gallery attendant while visiting a gallery so pristine, and dare I say, sterile, that one could both eat off the floor while simultaneously conducting open heart surgery on it. Believe me, I’ve been there. And as open minded as I try to be when it comes to the arts, nothing sets me off more than a gallery that screams, “you’re not one of us.”
Luckily we’re blessed in Minneapolis in that that’s just not how we roll. I think you could walk into almost any art gallery fresh off the street and find yourself being greeted and welcomed with open arms. Perhaps it’s our midwest charm, the fact that we actually care about each other or perhaps it’s because we don’t ever take ourselves too seriously in this neck of the woods.
Whatever the case may be, that doesn’t mean that the arts can’t be intimidating, especially to someone new. I know I deal with that quite a bit at the Rogue Buddha Gallery. Often times it comes in the form of a friend being dragged in by another friend as they walk by, the one really wanting to see what’s up inside, the other a bit timid and cautious, often times exuding an aura that screams “I don’t want to intrude or maybe this is private space.”
It’s pretty obvious when this is the case and when it happens I go out of my way to make sure they feel welcome and free to roam and ask questions all the while maintaining a bit of space so as to not hover. I’m available, but I’m not pressuring or smothering.
In this weeks episode of Art Wunderful, Katie and Blaine Garrett of Mplsart.com shared their views on buying art for the first time and the value of brick and mortar galleries. A lot of what they said boils down to the simple fact that art and experiencing it and even buying it, should be fun. Going to galleries is a unique opportunity to do something free in a setting that is unlike any other. It’s a great time to meet new people and to do something different, especially if you’re new to the scene.
And buying art, well, it should be equally fun and free of pressure or complications. The only real question that one has to ask about a piece of art is whether or not they like it. And if they find it moves them and speaks to them, well then, they should consider living with it. The more one is exposed to living with art, the more one is likely to see how it effects their lives, in a good way. But really, there is no pressure to like anything or to buy it for that matter. But for those who do, the benefits are sure to make themselves known.
And if you are new to the arts, it’s always great to have a friend who can help guide you or introduce you to things. Knowing what to expect before going to a gallery opening for instance, can really help prime that potential for fun and engagement. Knowing a bit about the gallery, it’s history or the artist on exhibit can all help fuel what is sure to be a great time.
Now perhaps you might be thinking that you don’t have any friends that can help you navigate the local art scene. Well, you’re in luck as that’s exactly how Katie and Blaine approach their website mplsart.com. It’s meant to be your friend in the art scene. A visit to their website will let you know where the galleries are, when they’re open and what to expect when you go by providing information about the various exhibits. You can also visit the gallery websites directly via their page as well if you want to do a real deep dive into that particular venue.
We talk all about this in this weeks episode of Art Wunderful. I hope you can take some time to listen HERE or wherever you listen to podcasts. I also hope to see you at the Rogue Buddha and out and about on the art scene in the near future! Cheers!
TRADE SECRET

What Comes First? Ah, the age-old question: What came first, the title or the painting? For every artist and every piece of art, I'm sure the answer is different. For me, it changes almost every time too, unless I'm working on a series like my "Nocturnes"—a collection of ambient and minimal landscapes. When I approach a blank canvas, one of two things is usually true. Either I have a crystal-clear idea of what I'm painting, down to the meaning of every element, or I just go with the flow, letting the forces of inspiration do the heavy lifting. The muses never explicitly share their thoughts, so sometimes I'm left to wonder about a painting's meaning myself. Of course, the truth is never so black and white; each painting is a combination of these two scenarios. No matter how well-defined an image is in my mind, once I'm at the easel, the painting takes on a life of its own, and those pesky forces have their fun if they feel the need. I'm reminded of the quote by Salvador Dalí: "If you understand your painting beforehand, you might as well not paint it." And while I see the merit in this, I also enjoy having a bit of a roadmap, especially for my more elaborate portraits. But once the painting is finished, that’s when the real fun begins: the interpretation. It's not uncommon for me to find new and deeper meaning in my work after the varnish has dried, the frame is on, and it finally hangs under a proper light. It's only then—when the final piece stands miles away from that initial thought or doodle—that it takes its first breath. And it's at this point that some of my works are truly christened. That was exactly the case for my portrait, which I named Thea.

When A Volkswagen Is My Best Option With sweat pouring down my forehead I position the canvas, it’s framed in one-inch pine trim boards and leaning against my candy apple green Volkswagen Super Beetle. The hot summer sun bounces off the chrome of that finely designed German auto, casting glares and glints in my eye. I struggle through the 95-degree heat. But it’s not the heat that will get you, it’s the humidity. So they say.

It all began about seven years ago. My trusty, weekly afternoon ritual of dining on the go was in a bit of a crisis. My favorite parking spot, once a haven with a magnificent view of the Minneapolis skyline, had slowly but surely succumbed to nature's relentless creep. Trees and foliage, like an incredibly slow-motion documentary, had gradually devoured the once-stunning panorama. And it wasn't just nature. The parking lot, despite its generous number of spaces, had become a hot commodity. What was once a quiet escape for me was now a bustling hub for countless others. Finding a decent spot, especially one that still offered a fleeting glimpse of the city, had become a premium. Not to mention, it brought out one of my biggest pet peeves. When I settle in for the occasional meal in my car, I crave the simple pleasure of having the windows down, letting the glorious summer breeze waft through. Summer in Minneapolis is, after all, a precious, fleeting gift, and basking in that warm air, even when it's 90 degrees, feels like an absolute luxury we should savor and not take for granted. So there I'd sit, windows down, trying to soak in the last vestiges of the skyline before nature claimed it entirely. And then, the parade of pet peeves would arrive: cars pulling in, presumably for the same reason as I, but with their windows sealed shut, AC on high, and subsequently, the motor, often loud and obtrusive, running. So much for my quiet moment of solitude. And don't even get me started on the music that inevitably bled through their glass cocoons. I'd often find myself wondering, "where I might be able to go to enjoy some peace and quiet, yet still enjoy the beauty of nature juxtaposed with an urban skyline backdrop?” I desperately needed to ditch these intruders. These folks were clearly not my tribe, seemingly dependent on artificially controlled climates, constantly distracted by music and news radio and unable to tolerate their own thoughts for a single second. (A bit snarky? Maybe! It’s just that that constant buzz of car motors can really get under one’s skin...😉) Gated Community Then, it hit me! A brilliant idea sparked. I knew of a potentially perfect spot, though I wasn't sure if it would work or if it was even "allowed." But why wouldn't it be? Even if the view wasn't exactly the same, of course I could go; it was open to the public, and it was oh so close. And so, on my last visit to the old parking lot, even before unwrapping my wrap, I turned the car back on, backed out, and said goodbye to the lineup of idling cars. Each was a little micro-environment that had spilled out and, like the shrubbery and trees, slowly overran what once was a perfectly great location to enjoy some peace and quiet, nature, and even the urban city, albeit from a distance. Not that long after, I found myself entering a gated community. No guards, but a gate nonetheless, with rules and specific open hours. Noted. Instinctively, I turned right and drove respectfully, slowly, up a long hill. At the summit, the road curved right, then offered an option to the left. I turned, and there it was—an expansive and incredible view of the city! Even better, there was a large tree off to the side of the one-lane road—perfect for shade on hot days and for cutting the sun's glare, allowing me to fully appreciate the vast, green hill cascading before me. I pulled under the tree, turned off the engine, and... I listened. Moments stretched into long, silent seconds. Nothing. Silence. Beautiful, majestic silence. Except, of course, for a few birds, the rustling of leaves in the surrounding trees, and an occasional plane overhead. But other than that, pure, unadulterated quiet. And the breeze! It swept up over the hill, strong and constant. You could say, I was in heaven. My Tribe But truth be told, I wasn't alone. Far from it. I was, in fact, in the midst of a great throng of people—people of every race, color, age, and gender. There had to be at least a few thousand within throwing distance alone. And they, too, were settled into their own private micro-climates, but car engines, talk radio, and teeth-rattling bass weren't going to emanate from their abodes anytime soon. I was, of course, in the middle of a cemetery. And where the living were concerned, I was absolutely alone. Blissfully so. And the ones underground? Well, let's just say I had found my tribe. I bring this up because the Twin Cities Death Cafe, normally hosted at the Rogue Buddha Gallery on the last Sunday of every month, recently forayed outside of the gallery walls and into a local cemetery a couple Sundays ago. The cemetery walks have become one of my favorite Death Cafe rituals, which take place every summer. As per usual, we met at a designated spot and then dispersed, roaming the grounds either with others or on our lonesome, only to reconvene an hour later to share our thoughts, experiences, and observations for an hour before taking our leave. For me, this is the perfect way to celebrate life, death, community, and summer. And we couldn’t have asked for a better location than Lakewood cemetery in South Minneapolis for that days romp. The Wisdom of Quiet Places And so nearly every week I bring a lunch to this particular spot and enjoy a meal under the tree, watching nature and the city move slowly into the future. I’m reminded by my location that the future isn’t a promise; it’s an expectation. And that, as demonstrated by my old location, even the view can’t be depended on forever. Everything has a shelf life, everything, a “must consume by” date. Where those tall skyscrapers now stand, off in the distance, there once was a building of smaller stature on that plot, and before that building, something else and someone else called it home. And before them, maybe just pure untamed woods and fields visited only by animals and insects. And maybe that’s where it will eventually end up once again, that is, before the next iteration of, well, who knows what, moves in. As I sit in my car, windows down on these beautifully precious summer days, I'm reminded that we only have so many summers left in each of our lives. I hope to enjoy at least another 50 or so myself. (Optimistic much? You better believe it!) So, it's best to take full advantage of them while they're here, not push them away with air conditioning so me thinks. Hmm, there's a weird metaphor in there somewhere—air conditioning metaphorically being a mechanism to push away thoughts of our mortality, our eventual demise. I'll have to work on that one! We also only have so much time to think and be with our thoughts, to figure out who we really are or who we want to become. So why push that away with overly constructed pop tunes or equally manufactured news shows? No. For me, silence is truly bliss. This approach has even seeped into my ritual at the easel, but that’s for another time perhaps. In the End, Live! I should admit, I'm not at this spot every week. No, I've taken to visiting other abodes of the afterlife for my weekly meal. Most don't have a city view, but what they do offer is just as interesting and beautiful. And all of them, large or small, manicured or dilapidated, each and every one offers a glimpse into the future, a prediction with 100% accuracy. Each whispers the words... "This is your future, so take advantage of your present while you can. Every moment you're not dead, live! To whatever extent and in whatever way you can, find a way, no matter how small, to be alive and live!" And so it is that I sit for a few moments each week in various cemeteries, sharing a meal with my tribe, sharing time in their home, and enjoying a little slice of Heaven on Earth while I still can. (To learn more about the Twin Cities Death Cafe at the Rogue Buddha Gallery, CLICK HERE .)